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The mystery of your character urges you do follow every quest line, impacting and shaping the world as you do. Immersive, branching dialogue propels the story, undoubtedly some of the best writing in a video game. With a companion in a floating skull named Mort, you set out on an adventure to reclaim your memory. The game is almost entirely story driven, following The Nameless One, an immortal who has forgotten his past lives. Despite its age, it remains one of the most innovative games ever crafted, with a moral depth that still eludes most new titles. The worst thing you can do is let Planescape: Torment's old-fashioned interface fool you. How far you take either is up to you, but either way, you'll have one of the most nuanced gaming experiences created. He has the potential to do terrible things, yet there's also room for loyalty and love. As a freelance monster hunter, Geralt is hard and stoic. It takes a step back from the usual hero story and presents a character that is far grayer. It all takes place in a large, beautiful environment, with intense lighting and unique flora. The main story only builds on that, with an arching narrative that's influenced by your decisions. Every single sidequest has its own story, with sympathetic and memorable characters. Kill ten wolves, or carry this package from one place to another. So often in open world games, there's a feeling of filler content. The characters, though borrowed from the books, bring a depth and connection that is rarely seen. It's a true testament to games as immersive storytelling devices, rather than just action or gameplay.
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This game comes from an award-winning series of Polish novels by Andrzej Sapkowski, but in many ways it surpasses them.

It's not just one of the best fantasy RPGs of all time, but one of best games ever made. But Wild Hunt is on a completely new level. The Witcher 2: Assassins of Kings is even what I'd call a 'good' game. You forget the aged graphics and find yourself participating in intricate battles and plot threads, unable to deny its fabled existence. Either way, it's all too easy to get caught up in Baldur's Gate II. Or you can be a thief, a druid, a ranger, a bard. As the godchild, you can rain down lightning on your foes, tear the world apart with demons.
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It's full of detail, from the awe-inspiring soundtrack to little quirks in voice acting and well-handled progression. The game is full of perfect balances like this. You can die in a hundred different ones, yet you'll never complain about it being unfair. Baldur's Gate II is hard, harder than its predecessor, even. Gone are repetitive quests and hand holding. Gone is predictable dialogue and clear paths to right and wrong.

There are hundreds of hours of quests, fighting and story, yet every single element is well executed.
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Then, in a moment of distraction, you are set free and escape to an incredibly dense, D&D inspired world.Īnd that's where the faultlessness of this game really starts to show. In Baldur's Gate II, you pick up not long after the first game, trapped in a cage and the subject of magical experiments.

Seventeen years later, it's scope is still incomparable, and that's what earned it the #1 spot on this list. Baldur's Gate has had a huge and lasting impact on the RPG genre, and its second iteration is as close to perfect as any game will be. If you are looking for more game recommendations, check out our Best RPG Games list and our Best Story-Driven Fantasy Video Games.Īt this point, this series barely needs an introduction. Taking that into account, these are, in our opinion, the best fantasy games of all time. It's important that these games aren't just popular for nostalgia, but that they still stand up today and have a tangible impact That they feature great gameplay or story and aren't limited to the most popular genres. It's not an easy task, and we've tried to be critical and unbiased in our selections. This list is our attempt to catalog and rate such games. More than that, they offer unprecedented interactivity and control. When your imagination is limited only by the number of polygons you can fit on-screen, a lot of interesting worlds begin to appear. In video games, there are none of those limitations.
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Movie and TV producers don't want to spend the special effects budget, theaters simply can't replicate it, and non-YA books struggle to make the bestseller lists. In many mediums, fantasy is simply put on the back burner.
